Prior to her Masters in Painting at the Royal College of Art 2024, Tina Jane Hatton-Gore has studied Textile Design, Illustration and Printmaking, the influence of which can be seen in her love of colour, luminous line, inversion, negative space, graphic simplicity and subliminal narrative. The interface between life and non-life thrives on a wide-reaching research pool focusing on artefacts made of humans, by humans, for humans. Currently under nostalgic scrutiny are scarecrows, toby jugs, garden gnomes, artists mannequins, nautical figureheads, mechanical clowns, dolls and ventriloquist dummies, presented both individually and in series, provoking contextual, time-based and interpretative analysis.
Explore our comprehensive collection of available artworks.
